Use of abstraction in composition and focal length, potentially to achieve moments of access for the viewer to insert elements of self into the scene and to cultivate empathy.
Potential use of long-form video portratiure as observational material.
Use of domestic spaces as ‘stages’ for interviews and play scenes. Intentional and subtly dramatized use of personal objects and spaces. The acknowledgement that the act of viewing alters an act or a space, an engagement with this as documentarians and subjects.